Articles
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- Information
- Books
The Marvelous Magic of Massey
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- Books
The Magic of Robert Harbin - The Book
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- Books
All the Secrets of Magic Revealed by Herbert Becker
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- Books
Successful Magic (Conjuring) for Amateurs by Norman Hunter
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- Books
The (New) Make-up of Magic by Micky Hades
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- Books
Jack Hughes World of Magic Volumes 1-3
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Magic Books of Harry Leat
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More Exclusive Magical Secrets by Will Goldston
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- Books
Book of Exquisite Conjuring by F. W. Conradi (Book Review)
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- Books
Magic of the Scottish Conjurers Association - Book Review
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- Books
Jack Gwynne: The Man, His Mind, and his “Royal Family of Magic”
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- Books
Classic Magic with Apparatus Series by Dr. Robert Albo
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- Books
Ultimate Okito Addendum by Robert Albo has Arrived
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- Illusions
Evolution & The Endless Pursuit Of Perfection
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- Illusions
On Why Illusions are Expensive: The Artist, the Engineer & the Illusioneer
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- Illusions
Creativity and the Sub Trunk Illusion
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- Illusions
Kissing Frogs and Other Miscellaneous Illusion Show Tips (Edited)
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- Illusions
Classic Illusions - A List of the Great Illusions of All Time
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- Magic Apparatus
Tips for Performing and Repairing Sword Through Neck
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- Other Stage Magic
Vampire's Rose - A Spooky Routine for the Kevin James Floating Rose
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- Beginner Area
The Magic Of Extraordinary Objects
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- Beginner Area
When Does The Show Start?
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- Beginner Area
Professional Attitude by Harlan Tarbell
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- Beginner Area
Blending Your Magic Act: From Random to Routine
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- Beginner Area
Magicians: Be What Fits You
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- Beginner Area
How to Overcome Your Perceived Limitations as a Magician
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- Beginner Area
Examining Your Act - Taking Your Magic to the Next Level
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- Beginner Area
Getting Started with Magic Books
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- Beginner Area
The Art of Practice
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- Beginner Area
If a Fake Magician Can Do It, So Can You.
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- Childrens Shows
11 Kid Show Thoughts For 2011
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- Childrens Shows
On Magic For Children
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- Childrens Shows
The Childrens Birthday Party Business - Magician and Party Personality
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- Childrens Shows
Kid Magicians Take Note: How to Get Kids to Eat Veggies
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- Childrens Shows
What is it That Makes Children Laugh?
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- Childrens Shows
The Secret of Performing Magic for Very Young Audiences (Lessons from the Great Zucchini)
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- Childrens Shows
Children’s Conjurers Clever Comebacks & Comments
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- Comedy and Humor
The Story of Sydney Slater
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- Comedy and Humor
Funniest Magic Acts
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- Mentalism
What Does It Take to be a Mentalist?
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- Mentalism
How to Create an Effective and Entertaining Mentalism Act
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- Mentalism
Mentalist as a Facilitator
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- Mentalism
What makes a Mentalist or Magician Memorable?
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- Mentalism
Mentalism - It’s Back
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- Showmanship
A Hand Is Not A Table
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- Showmanship
Everything Is Infected
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- Showmanship
The Manipulation Of Surprise
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- Showmanship
Forget Me Not: How to be an Unforgettable Performer
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- Showmanship
Improving Your Act: Six Things You Can Do To Be A Better Magician.
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- Showmanship
The Audience Doesn’t Care -- Surefire Ways to Improve Your Act and Stun a Crowd!
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- Showmanship
Proper Magical Presentation by Hermann Pallme
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- Showmanship
How To Please Your Audience by Harlan Tarbell
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- Showmanship
Tarbell on Showmanship and Presentation by Harlan Tarbell
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- Showmanship
What Kinds of Entertainers do you Get in Your Audience?
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- Showmanship
How Can I Better my Magic Show and Myself?
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- Information
- Showmanship
When Good Magicians Go BAD!
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- Information
- Showmanship
When a Magician is NOT a Magician
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- Information
- Showmanship
How to Think Like a Magician... a Good One.
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- Information
- Showmanship
Three Secrets Of Success For Every Magician by Harry Kellar
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- Information
- Showmanship
The Program: Arranging the Tricks so they Make Sense by H. Syril Dusenbery
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- Information
- Showmanship
Your Voice: Speaking Properly for a Magic Performance by H. Syril Dusenbery
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- Information
- Business Side of Magic
Magician's Restaurant Workers Secrets - Top 35 Tips
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- Information
- Business Side of Magic
Keep Magic in Order with Free Information Management Software
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- Information
- Business Side of Magic
Magician's Tax Tips
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- Information
- Business Side of Magic
Magicians: How to Win Audiences and Customers & Influence People
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- Information
- Business Side of Magic
You Are The Magic... Always
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- Information
- Business Side of Magic
15 Web Site Secrets for Magicians
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- Information
- Business Side of Magic
Magic Marketing: 36 Inexpensive Tips to Help Make Magicians More Money
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- Information
- Business Side of Magic
Magicians: How to Provide Excellent Customer Service
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- Information
- Business Side of Magic
Printing and Literature: Securing your Engagements by H. Syril Dusenbery
How do you practice your magic? In what ways do you rehearse the routines and segments that make up the various parts of your show? If you asked any number of magicians, I am sure you would get numerous variations in answers. Simply stated, we all have our own ways and methods. However, are there lessons to be learned and applied here when it comes to practicing your magic? These are the topics I want to try and share with you.
I think it is safe to say that in order to get better at any magic that you do, you simply must practice it to get the feel for it. You simply can not expect to pick up an effect and start performing it the next day. Magic as an art form deserves each of us to take the time necessary to actually not only learn what we are doing, but to also perform it well to make it an entertaining experience.
I think the first point to share here is that there is a big difference between practice and rehearsals. Knowing and defining these differences can help any magician become a better performer. My personal feeling is that you must actually do both practice and rehearsal.
When working on a new act or routine, you will need to practice first to get the moves down for segments within the act. You then will always want to rehearse the full act start to finish with costuming, music, etc. before ever actually performing it for a live audience. So a combination of both I think is essential.
When one practices, one is really more concerned with learning the technical moves of what it is you are doing. This can mean learning a single move or applying moves to generate a sequence. The idea here is to get these moves down and develop the correct technical ability that is needed. In a lot of cases, a mirror can work well for this as it allows you to see what you are doing.
Using a mirror is fine for practice but do not get to dependent upon it. The mirror can become a bad habit if used too much because you 1) see everything in reverse of what really is seen by the audience and 2) you start to become used to seeing the image in front of you that it throws you off when it is not there in real performance. I use a video camera instead as I know I am no longer performing for the mirror and I can set it up to record from different angles.
However, there needs to be a point where you stop practicing and move on to rehearsing. Some of you may be wondering what the difference is or if there really is a difference at all.
A proper rehearsal is one in which the full entire routine or act is done from start to finish utilizing the right props, music and even costuming. You are rehearsing the entire act as if you were actually going to perform it live for the public. It is also important to note here that when rehearsing you simply must use everything you would use in the actual live performance. If you are wearing tuxedo pants, then rehearse in those pants and not jeans. Even the smallest changes, can be magnified when it comes to the live performance.
Another point that relates to this topic is the notion of a cold practice. A cold practice simply means that you do the act or routine once and only once. You can do this when you get home from work etc. The idea is that you are simulating a real experience. In a real experience, you do not have the chance of a "do over". This cold practice simulates that and starts to show you if you are ready to perform it for laypeople.
I hope these few simple ideas and tips may be of help to you as you continue to practice and rehearse your own magic to develop creative routines. As always, I encourage you the readers to let me know your thoughts. So if you have any thoughts on my articles or suggestions or comments, please feel free to e-mail me directly at This email address is being protected from spambots. You need JavaScript enabled to view it.. I would love to hear from
you.
I think it is safe to say that in order to get better at any magic that you do, you simply must practice it to get the feel for it. You simply can not expect to pick up an effect and start performing it the next day. Magic as an art form deserves each of us to take the time necessary to actually not only learn what we are doing, but to also perform it well to make it an entertaining experience.
I think the first point to share here is that there is a big difference between practice and rehearsals. Knowing and defining these differences can help any magician become a better performer. My personal feeling is that you must actually do both practice and rehearsal.
When working on a new act or routine, you will need to practice first to get the moves down for segments within the act. You then will always want to rehearse the full act start to finish with costuming, music, etc. before ever actually performing it for a live audience. So a combination of both I think is essential.
When one practices, one is really more concerned with learning the technical moves of what it is you are doing. This can mean learning a single move or applying moves to generate a sequence. The idea here is to get these moves down and develop the correct technical ability that is needed. In a lot of cases, a mirror can work well for this as it allows you to see what you are doing.
Using a mirror is fine for practice but do not get to dependent upon it. The mirror can become a bad habit if used too much because you 1) see everything in reverse of what really is seen by the audience and 2) you start to become used to seeing the image in front of you that it throws you off when it is not there in real performance. I use a video camera instead as I know I am no longer performing for the mirror and I can set it up to record from different angles.
However, there needs to be a point where you stop practicing and move on to rehearsing. Some of you may be wondering what the difference is or if there really is a difference at all.
A proper rehearsal is one in which the full entire routine or act is done from start to finish utilizing the right props, music and even costuming. You are rehearsing the entire act as if you were actually going to perform it live for the public. It is also important to note here that when rehearsing you simply must use everything you would use in the actual live performance. If you are wearing tuxedo pants, then rehearse in those pants and not jeans. Even the smallest changes, can be magnified when it comes to the live performance.
Another point that relates to this topic is the notion of a cold practice. A cold practice simply means that you do the act or routine once and only once. You can do this when you get home from work etc. The idea is that you are simulating a real experience. In a real experience, you do not have the chance of a "do over". This cold practice simulates that and starts to show you if you are ready to perform it for laypeople.
I hope these few simple ideas and tips may be of help to you as you continue to practice and rehearse your own magic to develop creative routines. As always, I encourage you the readers to let me know your thoughts. So if you have any thoughts on my articles or suggestions or comments, please feel free to e-mail me directly at This email address is being protected from spambots. You need JavaScript enabled to view it.. I would love to hear from
you.