When is it time to say “this effect is finished” and when to say its done. I’d say it depends on the piece. And the audience’s reaction to the effect. My personal opinion and my observation of the matter is an effect is never finished and is in constant motion and evolution at all times. I’ve designed and built many large stage illusions. (As well as small ones) One of which probably a handful of times. If the effect had not been re-addressed over and over it’d not be the miracle it is today. Unlike a painting. Which is a stationary piece of art. Magic is a malleable and in constant state of flux. A good performer should always be in the pursuit of evolution originality and perfection of whatever piece he or she is doing. But. When is it time to say one is finished? I feel its the million dollar question.
As the chapter on stage presentation in Greater Magic was written nearly fifteen years ago it's about time to do a spot of checking in view of the existing conditions of show business in Latin America today.
There has been a discussion going on in many online forums and a topic that comes up a lot from time to time at conventions etc. It seems that the discussion that comes up a lot derives from performers performing the sub trunk illusion and people wondering if it is too similar to the Pendragons or to some other illusionist's acts.
From a note posted elsewhere, I thought these were strong and sound words so I thought I should share it with you.
I can speak from experience because I've seen terrible builders and amazing builders. I've seen why. And why not. First off I think the topic is brilliant. Its something I feel is important to be asked (from individuals who are not seasoned professionals) This is information every magician or illusionist needs to know and contemplate, as artists and professionals honing their craft.
Read more: On Why Illusions are Expensive: The Artist, the Engineer & the Illusioneer
Editor's Note: This is an edited version of the article since the original contains some discussion of methods. To view the complete article, go to Articles --> Magic Secrets. You need to be registered, logged-in and have upgraded access to view this.
Much of the time, magicians picking out their first illusion, do it at random. They often pick one that they’ve enjoyed seeing another magician do. They buy one on sale. They ask their friends what illusion they like. Then they wonder why their first illusion doesn’t work for their show. My first illusion was the Crystal Casket. It was a terrible choice.
Read more: Kissing Frogs and Other Miscellaneous Illusion Show Tips (Edited)