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Del Ray: The Greatest Magician You've Never Heard Of! |
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Written by John Randall
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Friday, 11 December 2009 18:25 |
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If you're under the age of thirty, here's someone you've probably never heard of. But that's about to change. Del Ray was born Delbert Raymond Petrosky in 1925 in the quiet little town of Hubbard, Ohio. At the age of three, he entered an orphanage in the nearby city of Warren. It was there, long before thoughts of puberty ever entered his mind, that he saw a professional magician for the first time ever. And he was hooked.
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On Why Illusions are Expensive: The Artist, the Engineer & the Illusioneer |
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Written by Ryan C. Reed
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Tuesday, 01 December 2009 18:33 |
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From a note posted elsewhere, I thought these were strong and sound words so I thought I should share it with you.
I can speak from experience because I've seen terrible builders and amazing builders. I've seen why. And why not. First off I think the topic is brilliant. Its something I feel is important to be asked (from individuals who are not seasoned professionals) This is information every magician or illusionist needs to know and contemplate, as artists and professionals honing their craft.
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Last Updated on Saturday, 30 January 2010 00:43 |
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Repair and Maintenance of your Magic Tricks and Apparatus - Part 2 |
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Written by Massimo Malloque
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Tuesday, 08 December 2009 00:07 |
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This is the second installment of repairing your own magic props. I think I forgot to mention in volume 1 that I do have a lot of experience in repairing, refinishing, refurbishing, and building magic props. I have a little over 40 years of doing the repairs, building, and etc. on magic props. My father was a master wood worker and an Industrial Arts professor. I learned from him and he was my building partner and consultant for years.
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Last Updated on Tuesday, 08 December 2009 22:25 |
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Blending Your Magic Act: From Random to Routine |
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Written by Massimo Malloque
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Monday, 30 November 2009 20:27 |
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I have often wondered what would have happened if when I was first learning magic and mentalism, and buying every prop in the store, if someone would have said “you need to learn how to blend”. I was like every other student of magic; I just wanted every prop, gimmick and secret there was. I never stopped to think of putting the same kinds of effects together for a routine nor did I realize that what I was stringing together for a show was just effects, no real entertainment value at all.
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Page 2 of 19 |